Brahms & Contemporaries, Vol. 3

原始简介

We can imagine some eyebrows being raised at the description of Dora Pejačević as a contemporary of Brahms; the two composers were born more than fifty years apart, and their lives only overlapped by twelve years. Yet both works by Pejačević are unmistakably from the same compositional lineage as that by Brahms; and both are works written early on in Pejačević’s remarkable (and, sadly, all-too-short) life. Both pieces belong clearly to the romantic tradition, displaying no hint of the more modernist directions which her later works would take. We were immediately intoxicated by the passionate sweep of Pejačević’s Piano Quartet, but also the tenderness of its slow movement, and felt it would make the perfect bedfellow for the First Piano Quartet of Brahms, a piece to which Tom has felt particularly close since student days. Brahms’s Piano Quartet is justly one of the best-loved of all chamber works, and few works are more exhilarating to perform: the first movement offers an abundance of glorious themes; the second takes us to a mysterious dreamworld; the third luxuriates in expansive lyricism; then the fiery virtuosity of the gypsy finale sends us headlong to the finish line. This album brings us to the end of our recorded journey through Brahms’s three piano quartets, and it has been the greatest privilege and joy to record these works, alongside three major piano quartets by composers who deserve to be far better known. However, we are pleased to say that the series does not end here: looking beyond the piano quartets, we have further albums in preparation, pairing Brahms with his brilliant and lesser-played contemporaries.’ - Kaleidoscope Chamber Collective