Recorded: 2015-03-22
Presto 未列出分轨。
大提琴家阿尔班·格拉哈特回归乐谱本源,以克制且反传统的速度处理埃尔加与德沃夏克名作,适合寻求新鲜听感的听众。
这是大提琴家阿尔班·格拉哈特录制这两部经典协奏曲的首张录音,由安德鲁·曼泽执棒科隆西德广播交响乐团。他主张回归乐谱本身,挑战包括杰奎琳·杜普蕾在内的传统演绎惯性。这种对文本的严格遵循导致速度与比例显著异于常规,呈现出一种拒绝过度煽情的直白质感。《卫报》指出,这种克制可能不迎合习惯情感外露的听众,但通过审视埃尔加等作曲家细致的标记,发掘出令人耳目一新的细节。
Alban Gerhardt’s first studio recording of the two most famous concertos in the entire cello repertoire represents the fruit of 35 years of kinship with these masterpieces. Bolstered by the forces of the WDR Sinfonieorchester under Andrew Manze, Gerhardt offers interpretations which challenge inherited conventions and, in Gerhardt’s words, make a ‘return to the sources: the scores themselves’, prompting the question: should we consider anew what is the ‘correct’ approach of playing these works? His adherence to the text often leads to tempos and proportions that differ noticeably from the norm, which Gerhardt says feel both more alive and closer to the detailed musical instructions left by each composer. In this context, Gerhardt quotes Gustav Mahler: ‘Tradition must not be the adoration of ashes but the preservation of fire.’
作曲家 Elgar & Dvořák
演奏家 Alban Gerhardt (cello) · WDR Sinfonieorchester Köln · Andrew Manze
Presto 未列出分轨。
演奏家 Alban Gerhardt (cello) · WDR Sinfonieorchester Köln · Andrew Manze
Presto 未列出分轨。
演奏家 Alban Gerhardt (cello) · WDR Sinfonieorchester Köln · Andrew Manze
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当前置信度为 95%,只表示资料和推荐依据的完整度, 不是星级,也不是对演奏或录音质量的审美评分。