Deus in adiutorium
0:13演奏家 Marco Scavazza (bass) · Concerto Italiano · Rinaldo Alessandrini
这是一张由 Rinaldo Alessandrini 指挥、Concerto Italiano 演绎的维瓦尔第圣母升天节晚祷音乐专辑,以“神圣音乐会”的形式呈现了作曲家丰富的晚祷文本配乐。
这张专辑并非对历史事件的复原,而是由指挥 Rinaldo Alessandrini 与学者 Frédéric Delaméa 合作,从维瓦尔第大量晚祷文本配乐中精选曲目,构建成一场威尼斯教堂风格的“神圣音乐会”。曲目涵盖了五首晚祷诗篇、尊主颂、圣母经、独唱经文歌《Ascende in laeta》以及管弦乐协奏曲,展现了维瓦尔第在宗教音乐中多样的风格,从《Dixit Dominus》的华丽到其他作
This isn't the 'Vivaldi Vespers', or even a reconstruction of a specific event, but a kind of 'sacred concert' in Vespers form, of the sort that Venetian churches in Vivaldi's time would mount in the name of worship. Whether he ever supplied all the music for any such occasion isn't clear, but he certainly set plenty of Vespers texts, enough at any rate for Rinaldo Alessandrini and scholar Frédéric Delaméa to put together this rich programme. So this is music for a Vespers for the Feast of the Assumption as it might have been heard in one of Venice's more important churches, made up of Vivaldi's settings of the five Vespers psalms, a Magnificat, a Salve Regina, a solo motet (Ascende in laeta) and a couple of orchestral concertos. Unmistakably Vivaldian in almost every bar, these pieces nevertheless show considerable variety; the psalms range from the opulence of Dixit Dominus for five soloists, two choirs and two choirs, to the expressive solo settings of Laudate pueri and Nisi Dominus, to the breezily functional choral treatments of Laetatus sum and Lauda Jerusalem; Ascende in laeta is a virtuoso showpiece for soprano, and the Salve Regina a sombre vehicle for contralto. The liturgical thread is supplied by plainchant antiphons, prettily rendered in a fascinating conjectural imitation of the 18th century's 'corrupt' manner, which is to say, with organ accompaniment and unabashed ornamentation. Alessandrini's reading has an energy which is both forthright and controlled. His solo singers are of high quality; Roberta Invernizzi and Sara Mingardo are from the front rank of Italian Baroque singers, capable of expressive lyricism and thrilling virtuosity, but Gemma Bertagnolli is no less effective. The orchestra plays with inspiriting precision and life, but the choir could be improved on, and is poorly favoured in the recorded balance. Indeed, the recorded sound as a whole is a bit noisy, in places suffering a distant mechanical whir. Still, the overall effect is what counts most in a recording like this: the music has a vital sense of direction, resulting in two and a half hours of invigorating listening.
作曲家 Vivaldi
演奏家 Gemma Bertagnolli (soprano) · Roberta Invernizzi (soprano) · Anna Simboli (soprano) · Sara Mingardo (contralto) · Gianluca Ferrarini (tenor) · Matteo Bellotto (baritone)
演奏家 Marco Scavazza (bass) · Concerto Italiano · Rinaldo Alessandrini
演奏家 Roberta Invernizzi (soprano) · Concerto Italiano · Rinaldo Alessandrini · Domine ad adiuvandum me festina (Chorus)
演奏家 Sicut erat in principio (Chorus)
演奏家 Roberta Invernizzi (soprano) · Concerto Italiano · Rinaldo Alessandrini
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演奏家 Sara Mingardo (alto) , Gianluca Ferrarini (tenor), Matteo Bellotto (baritone), Gemma Bertagnolli (soprano) , Roberta Invernizzi (soprano) · Concerto Italiano · Rinaldo Alessandrini · Dixit Dominus (Chorus) · Donec ponam inimicos tuos (Chorus) · Virgam virtutis tuae (Soprano duet) · Tecum principium (Alto) · Juravit Dominus (Chorus) · Dominus a dextris tuis (Tenor, Baritone) · Judicabit in nationibus (Chorus) · De torrente in via (Soprano) · Gloria Patri (Chorus) · Sicut erat in principio (Chorus)
演奏家 Anna Simboli (soprano) · Concerto Italiano · Rinaldo Alessandrini
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演奏家 Anna Simboli (soprano) · Concerto Italiano · Rinaldo Alessandrini
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演奏家 Gemma Bertagnolli (soprano) · Concerto Italiano · Rinaldo Alessandrini · Laudate, pueri Dominum · Sit nomen Domini benedictum · A solis ortu · Excelsus super omnes gentes · Quis sicut Dominus · Suscitans a terra · Ut collocet eum · Gloria Patri · Sicut erat in principio · Amen
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演奏家 Anna Simboli (soprano) · Concerto Italiano · Rinaldo Alessandrini
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演奏家 Concerto Italiano · Rinaldo Alessandrini
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演奏家 Anna Simboli (soprano) · Concerto Italiano · Rinaldo Alessandrini
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演奏家 Sara Mingardo (alto) · Concerto Italiano · Rinaldo Alessandrini · Nisi Dominus · Vanum est vobis · Surgite · Cum dederit · Sicut erat sagittae · Beatus vir · Gloria Patri · Sicut erat in principio · Amen
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演奏家 Anna Simboli (soprano) · Concerto Italiano · Rinaldo Alessandrini
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演奏家 Gemma Bertagnolli (soprano) , Roberta Invernizzi (soprano) · Concerto Italiano · Rinaldo Alessandrini
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演奏家 Anna Simboli (soprano) · Concerto Italiano · Rinaldo Alessandrini
演奏家 Anna Simboli (soprano) · Concerto Italiano · Rinaldo Alessandrini
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演奏家 Roberta Invernizzi (soprano) , Sara Mingardo (alto) , Gemma Bertagnolli (soprano) , Matteo Bellotto (baritone), Gianluca Ferrarini (tenor) · Concerto Italiano · Rinaldo Alessandrini · Magnificat anima mea Dominum (Chorus) · Et exsultavit spiritus meus (Soprano, Alto, Tenor, Chorus) · Et misericordia (Chorus) · Fecit potentiam (Chorus) · Deposuit potentes (Chorus) · Esurientes implevit bonis (Soprano duet) · Suscepit Israel (Chorus) · Sicut locutus est (Soprano, Alto, Baritone) · Gloria Patri (Chorus) · Antonio de Secondi (violin)
演奏家 Sara Mingardo (alto) · Concerto Italiano · Rinaldo Alessandrini · Salve Regina · Ad te clamamus · Ad te suspiramus · Eja ergo · Et Jesum · O Clemens · Hide 8 works on this recording
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当前置信度为 85%,只表示资料和推荐依据的完整度, 不是星级,也不是对演奏或录音质量的审美评分。