City Life
23:13演奏家 Ensemble Modern · Peter Rundel
这张专辑是聆听史蒂夫·赖克早期简约主义代表作《小提琴相位》与《八条线》的精彩选择。
《小提琴相位》中,小提琴家贾格迪什·米斯特里的演奏被评论认为极具专注力与张力,令人屏息。《八条线》作为《八重奏》的修订版,展现了从相位风格向受圣咏启发的旋律风格的过渡。现代乐团在《城市生活》中的演绎被描述为锋利而机智。尽管《纽约复调》被认为激动人心,但评论指出其紧张感不及《小提琴相位》。整体而言,专辑呈现了赖克不同时期的创作面貌。
The most focused work here, Violin Phase (1977), wears its purposefulness on its sleeve. Jagdish Mistry scintillates as the soloist, never letting go of the tension for a second, so when the end comes, you wait expectantly for that thread to be picked up again. Eight Lines, the reworked version of the Octet (1979/83) is also purposeful, moving gently from the early phase style to the melodic chanting-inspired style of the later Tehillim. While it's undeniably exciting, New York Counterpoint (1985) doesn't quite have that edge-of-the-seat adrenalin-powered quality that you can feel so clearly in ViolinPhase. City Life, though beautifully written and, in many senses, a witty work (something that's caught wonderfully in the Ensemble Modern's sharp-edged performance), leaves one adrift, without any clear idea of its purpose. If you want unforgettable performances of Violin Phase and Eight Lines, Ensemble Modern's account is the one to go for.
作曲家 Reich
演奏家 Roland Diry (clarinets) · Jagdish Mustry (violin) Ensemble Modern · Peter Rundel · Bradley Lubman · Jagdish Mustry Ensemble Modern
演奏家 Ensemble Modern · Peter Rundel
演奏家 Roland Diry (clarinet)
演奏家 Ensemble Modern · Bradley Lubman · Eight Lines · Ziffer 16 · Ziffer 31 · Ziffer 46 · Ziffer 61
演奏家 Jagdish Mistry (violin)
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当前置信度为 85%,只表示资料和推荐依据的完整度, 不是星级,也不是对演奏或录音质量的审美评分。