John Browne - Music from the Eton Choirbook

原始简介

By any other name, John Browne would surely be recognised as one of the very greatest English composers. The fact that fewer than 10 works survive intact in the Eton Choirbook (practically the only source transmitting his music anyway) only adds to his mysterious aura; the music sends normally dispassionate specialists reaching for superlatives. He stands head and shoulders above the other Eton composers, and it's high time he was accorded an anthology of his own. The discography of early polyphonic music has made such great strides that 'landmark' recordings are fewer and further between; yet this can hardly be described as anything else. An index of Browne's stature is the variety of scorings he deploys. His eight-voice O MariaSalvatorismater was considered extraordinary enough to be given pride of place in the Eton Choirbook, and each of the three six-voice pieces included here is scored differently. No other Eton composer wrote so much six-voice music excluding trebles. Two of his pieces in this mould (Stabat iuxta Christi crucem and Oregina mundi) are here recorded convincingly for the first time. Phillips's line-up of men's voices (especially on the top lines) is as superb as Browne's must have been, for an exceptional keenness of focus is needed to prevent the thick texture from becoming stodgy; as it is, the sound of six parts jostling in a compass of under two octaves is thrilling. But the pieces with trebles have long been reckoned Browne's masterpieces; as such, they have been recorded several times before. Phillips sees Browne as a mystical figure, and his choice of tempi in the Stabat mater and O Maria reflects this. His singers articulate it so convincingly as to suspend disbelief absolutely. The Tallis Scholars are to be heard at their best in this repertory; this recording confirms that. If you don't know Browne's music, you simply must hear this.