Lachrimae or Seven Tears
57:21演奏家 Phantasm , Elizabeth Kenny
Phantasm 与伊丽莎白·肯尼的演奏,以精准的同步与丰富的音色层次,生动呈现了道兰德这部文艺复兴时期忧郁舞曲集的深邃情感。
专辑聚焦道兰德作为旋律大师的才华,其精心创作的声部要求 Phantasm 乐团与鲁特琴家伊丽莎白·肯尼在技术与速度上达到高度默契。演奏者成功应对了乐器融合的挑战,以富有深度、强度与统一性的音色,敏锐捕捉音乐中活跃的情感流动,并不惧使用有力的发音与力度变化来强调重点。
John Dowland’s gifts as an exceptional melodist are evident throughout Lachrimae or Seven Tears, an artistic achievement which has cast a remarkable spell on early music. Summing up the Renaissance preoccupation with melancholy, this extraordinary collection of dance music for viols and lute includes Dowland’s ‘signature’ piece, Semper Dowland semper Dolens. Dowland reveals a personal world of sublime sadness, grief, anger and melancholy mollified by moments of joy and gladness. A skilled lutenist, Dowland’s intricately-worked parts demand perfect synchronicity between Phantasm and Elizabeth Kenny, who rise to the technical and tempi challenges of marrying their instruments. The popularity of Dowland’s music in his own lifetime continued through the centuries with Lawes, Jenkins and Gibbons all paying homage to Dowland’s ‘Tears’. Although freed from lyric constraints poetic images linger prompting Phantasm’s Laurence Dreyfus to describe this as ‘the most sensuously tuneful hour of music ever written’.
作曲家 Dowland
演奏家 Elizabeth Kenny (lute) Phantasm · Elizabeth Kenny Phantasm
演奏家 Phantasm , Elizabeth Kenny
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当前置信度为 85%,只表示资料和推荐依据的完整度, 不是星级,也不是对演奏或录音质量的审美评分。