Recorded: 2017-03-29
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Paavo Järvi 指挥法兰克福广播交响乐团的现场录音,为施密特交响曲全集提供了兼具透明度与结构感的权威诠释。
施密特的音乐在调性上大胆探索,却坚守19世纪交响形式,融合德奥传统与匈牙利风格,呈现出光辉而乐观的特质。Paavo Järvi 与乐团的现场演绎被评价为“近乎理想”,成功为施密特常显厚重的配器带来透明与光彩,并牢牢把握作品的结构方向,尤其第四交响曲的演绎被认为从始至终引人入胜。这套录音为这位一度被忽视的作曲家作品集注入了新的活力。
At a time when many of his contemporaries were exploring more fluid structures, Franz Schmidt while perhaps stretching tonal harmony to its limits, continued to embrace 19th-century form and achieved a highly personal synthesis of the diverse traditions of the Austro-German symphony. His language, rather than being wedded to a narrative of dissolution and tragedy is radiant and belligerently optimistic and reveals this scion of largely Hungarian forebears as the last great exponent of the style hongrois after Schubert, Liszt and Brahms. His work having fallen from prominence, Paavo Järvi and the Frankfurt Radio Symphony's dazzling live performances of all four of his symphonies, and the famous Notre Dame Intermezzo, shine a new light on this fascinating oeuvre and also on an affable and genial soul, and reminds us of the constant need to reappraise and enrich our account of music during the first half of the 20th century.
作曲家 Franz Schmidt
演奏家 Frankfurt Radio Symphony Orchestra · Paavo Järvi
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演奏家 Frankfurt Radio Symphony Orchestra · Paavo Järvi
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演奏家 Frankfurt Radio Symphony Orchestra · Paavo Järvi
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演奏家 Intermezzo · Frankfurt Radio Symphony Orchestra · Paavo Järvi
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演奏家 Balázs Nemes (trumpet), Ulrich Edelmann (violin), Peter-Philipp Staemmler (cello) · Frankfurt Radio Symphony Orchestra · Paavo Järvi
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